Originally published by Helsinki International Film Festival HERE
Few topics hold as much contemporary significance and immediacy in Finland as the apparent rise in systemic discrimination against minority communities. While protests and debate regarding government policies persist, people of African descent seek solace, inspiration, and a deeper understanding of their reality through the realms of arts, culture, and film. The African Express and short Station catalogues at this year’s Helsinki International Film Festival, curated in partnership with Think Africa and Ubuntu Film Festival, present a collection of thought-provoking films that delve into themes of African identity, spirituality, and love. Created by filmmakers of African heritage, the African Express films present narratives that are both rejuvenating and heartbreaking, centred in their fearless and creative storytelling.
African cinema boasts remarkable diversity, with different countries and regions producing a wide range of films that reflect the rich cultural tapestry of the continent. The variety of films included in this year’s selection mirrors the expanding African film industry and the multitude of narratives and experiences within the diaspora. Their significance lies in offering diaspora representation, socio-political commentary, challenging cultural norms, as well as breaking stereotypes that have long plagued the portrayal of Africa in mainstream media.
As we witness the growing global recognition of African cinema, it becomes evident that these films are not only artistic achievements but also invaluable tools for fostering understanding, empathy, and dialogue.
When the diaspora sees characters and stories that reflect their own culture and experiences it can help amplify underrepresented voices. Varied genres serve as a stage for different perspectives and stories that might otherwise go unnoticed, providing authentic and relatable representation of people of African descent. This can be seen in Houria where the voices of traumatised yet resilient women in a fragmented Algeria is told through the lens of a young classical dancer who’s injury helps her find healing in community. Small Pleasures, a Moroccan film based in the 1950s, takes us further into the hidden world of women. It peeks behind the doors of a big house where men are nowhere to be found, existing only as mysterious shadows and ghostly figures. These films remind us of the importance of healing in a community where individuals are given support among those who can relate to their struggles.
The theme of community and the pursuit of collective harmony takes centre stage in the story of star-crossed lovers in Banel & Adama. This film delves into the complexities of masculinity and leadership within a Senegalese Islamic village and the repercussions when individuals defy tradition to follow their personal desires. Furthermore, the film highlights the consequences of individuals’ actions in causing severe drought that threatens the lives of the villagers, serving as a commentary on the far-reaching impact of climate change on the African continent.
In addition to perspective, African storytelling sheds light on important social and political issues by providing a platform for discussions on universal topics like gender equality, identity, and post-colonialist life. All the Colours of the World Are Between Black and White is set in Nigeria where in 2014 the government signed the Same Sex Marriage Prohibition Act, essentially banning gay relationships. The film makes a bold statement about the challenges of the queer community in contemporary Nigeria and their struggle to feel a sense of belonging. Many members of the diaspora in Finland have a shared struggle of belonging, with experiences of discrimination, racism, and cultural alienation. The theme of identity and belonging is further explored in Omen, a magical-realist film where the protagonist returns to Democratic Republic of Congo with his Belgian wife. This film may resonate with members of the diaspora in Finland who grapple with questions about their sense of “African-ness” and their desire for a connection to the continent.
African films also play a vital role in preserving and showcasing the rich dynamic cultures of the continent. In !Aitsa, a South African / Danish documentary, ancient wisdom from indigenous communities clashes with cutting-edge science in a cosmic narrative unfolding in the South African desert, where the construction of the world’s largest radio telescope is underway. The contrast of ancient wisdom and cutting-edge technology challenges the preservation of indigenous knowledge within a world increasingly dominated by modern scientific paradigms. For the African diaspora balancing this juxtaposition on a day-to-day basis, it is a complex and individual journey, the approach of which varies based on personal beliefs, experiences, and the specific context in which individuals find themselves within the diaspora.
They bridge the gap between continents, cultures, and experiences, reminding us of our shared humanity.
Collectively the films in the African Express catalogue inspire us, living in Finland, to question societal norms, challenge discrimination, and work towards a more inclusive and equitable Finland. The power of film as a medium for storytelling, education, and social commentary cannot be overstated. As we witness the growing global recognition of African cinema, it becomes evident that these films are not only artistic achievements but also invaluable tools for fostering understanding, empathy, and dialogue. They bridge the gap between continents, cultures, and experiences, reminding us of our shared humanity.
“As an organisation promoting the participation of the Diaspora in Finland, we hope that the African Express series, the exposure of the diverse stories and the talents of the directors, serves as a call to action for more opportunities to open up – allowing the many talented African diaspora filmmakers in Finland to show their creativity, talent, and tell their stories on the big screen.” Myriam Munezero, Think Africa
Written by Joolokeni Vesikko
Joolokeni Vesikko is a Finnish-Namibian film enthusiast, marketing/communications professional and Think Africa board trustee.
Reading your blog is always a highlight of my day. Keep up the great work.
Your unique take on this topic is what sets your blog apart.